A Soundwall

One of many  personal music creation of the first lockdown.
This was recorded for Encuentros concert series. 
Live at the Roze Tanker, Amsterdam.

A book?? Yes.

A four-hand essay about music in tv series, specifically on music in the opening credits.
-Little to say?-
That's because you did not pay too much attention to it.

Unfortunately, for now, it is only in Italian, but an international version of it is being discussed.
You can purchase it any time on Amazon, as a Kindle e-book.


What on earth was that?!

Watch the movie. Select the footage. Select it again, cut it again, until what remains feels not enough for having any clear implicit narration. Compose the music, and let it be equally important to the images. First the video or the music? Which comes first? Doesn't matter.Refine and combine. 
Not too much
 What comes out of this process are describable as  nightmarish style exercises without any clear style or any clear form. Not exactly a videoclip, not exactly sound design, not a soundtrack. A monstrosity, as the original movies. Extremely expressive and yet very questionable. Maybe Dadaist. 

Cornelius Cardew, TREATISE

It seems unreal now...
During 2018, together with other five incredible musicians, I did have the chance of performing the Italian integral premiere of the Treatise at the Museum of 20th Century, in Milan.